Toy OTD: Creature Comforts Figurine: Frank The Tortoise

Aardman merchandise has never really taken off here in the states, but fortunately, it's all over the UK! If you're willing to brave the dollars-to-pounds exchange rate, you can get some really cool stuff based on Aardman's nifty television shows and movies!

A fairly extensive resin figure line sprang from the Creature Comforts TV series, inspired (of course) by the animated short. The British series, in turn, was the model for a show in the US as well! It's one of Aardman's best known properties outside of Wallace & Gromit, so it's a gimme as far as UK toys go.

Frank is a great character who (I think) has been in all of the incarnations of Comfort. Since he's a clay-mation piece to begin with, he's a natural for resin. The sculpt here is simple but quite good, although Frank's cranium looks a little low. Otherwise, it's a very accurate piece! There's just enough asymmetry to keep some life in the figure, and the color choices are fine. The biggest difference between the two is the treatment of the shell - it seems darker on the toy, and less convincing as 'the real thing'. The eyes are also a little less subtle than the original model, but overall it's appealing.

Since this piece is a figurine, there's no articulation at all. It's so low and wide that naturally there's no balance issues whatsoever. The packaging is pretty sharp - a creative variation on the plastic/cardboard box theme. Here, most of the box is plastic, allowing for maximum visibility of the item, while a printed cardboard base/back card allows for some disposable graphics and branding. It's also worth mentioning that the figure has no base or visible logos on it, which I think is consistent with the whole line. Very nice!

I can't find Frank for sale online anywhere exept the Aardman shop itself - you can get one there for £5.00+ shipping (and they do ship internationally). If you want one, get it quick!

Aardman's Upcoming Films

VARIETY: Aardman reveals new slate
Smith to oversee lineup
By ARCHIE THOMAS

LONDON -- Two months after announcing a three-year first-look deal with Sony Pictures, Aardman Features has unveiled a diverse slate of projects.

Lineup will be supervised by creative director Sarah Smith, who has been upped from head of development to the new role.

After stints as executive producer at the BBC and a string of comedy hits as a freelancer, Smith joined Aardman last year. Her impact on the claymation specialist has been immediate -- she has signed up a fleet of highly rated scribes for the Bristol-based animation powerhouse.

Smith has signed writers Matthew Graham and Ashley Pharoah ("Life on Mars") to work with director Steve Box on comedy heist "The Cat Burglars." The film about milk thieving stray cats will be in Aardman's trademark stop-frame claymation and combine the comedy action of Nick Park and Box's "Wallace and Gromit" feature with the cool styling of "Ocean's Eleven," Aardman claims. Box promises auds something altogether fresh -- "family friendly Tarantino."

Aardman co-founder Peter Lord returns to the director's chair for the first time since "Chicken Run" in 2000 with a comedy adventure based on the "Pirates" series of books penned by Gideon Defoe. Lord, Defoe and writers Andy Riley and Kevin Cecil, whose credits include the sitcom "Hyperdrive" and animation series "Slacker Cats," are working on the screenplay.

Also signed up to Aardman by Smith is Peter Baynham, one of the writers on "Borat," who is developing "Operation Rudolph," an actioner set on Christmas night. The Christmas movie shows the North Pole operation as an exhilarating ultra high-tech military procedure on a massive scale, revealing how Santa and his huge army of combat elves get round the whole world in one night.

Additionally, Nick Park is developing a new project. Details are not yet released but it is not another "Wallace and Gromit," according to an Aardman spokesperson.

"I'm passionate about matching the brilliance of Aardman's filmmakers with the very best talent in British comedy screenwriting," commented Smith. "This is an interesting time in the animation industry -- while there is clearly still a big appetite among cinemagoers for great animated films, there is a feeling of sameness about much of the product coming out of the industry at present, in terms of their stories. I think there's a great opportunity to excite audiences by raising the stakes in terms of the quality, intelligence and variety of the stories our animated films tell and the genres they inhabit."

Sony Snaps Up Aardman

BBC: Gromit animators sign Sony deal
Last Updated: Monday, 2 April 2007, 12:21 GMT 13:21 UK

Wallace and Gromit creator Aardman Animations has agreed a three-year deal with Sony Pictures.

The Bristol-based company had been looking for a new Hollywood partner after its association with US studio Dreamworks came to an end in January.

"We couldn't be more excited about working with the entire Aardman team," said Sony co-chairman Amy Pascal.

Aardman co-founder David Sproxton said: "We are delighted to find a partner in Sony that shares our vision."

Oscar success

"We are all very excited by the potential and have a number of projects we are keen to bring to fruition with this new relationship," Sproxton added.

Last year's Open Season, featuring Billy Connolly as the leader of a group of squirrels, was the first release from Sony Pictures' animation arm.

Back in January it was reported the five-film deal between Aardman and Dreamworks had ended after two movies underperformed.

Losses were reported for their last two films, Flushed Away and Wallace & Gromit: The Curse of the Were-Rabbit.

However, Wallace & Gromit: The Curse of the Were-Rabbit went on to win the Oscar for best animated feature - one of four Academy Awards which creator Nick Park has won since 1991.

Aardman, Dreamworks Part Ways

VARIETY: Aardman, DWA end partnership
Move comes after failures of 'Rabbit,' 'Flushed' By BEN FRITZ Posted: Tue., Jan. 30, 2007, 7:04pm PT

After a critically lauded but commercially troubled six-year partnership with DreamWorks Animation, Aardman is back on its own.

The British claymation giant, best known for its signature Wallace and Gromit characters and 2000 hit "Chicken Run," officially terminated its five-picture deal with DreamWorks on Tuesday.

Move was widely expected after the financial failures of "Wallace & Gromit: Curse of the Were-Rabbit" and "Flushed Away" (Daily Variety, Nov. 13). The former was a claymation pic made by Aardman and distribbed by DWA, the latter a CGI collaboration between the two companies.

Aardman is back in development on several films inhouse. Having long established its claymation prowess, company's in the midst of building up CGI capabilities, meaning it could potentially produce pics in both formats.

How it will finance those movies, and how they will reach the market, is now an open question. A rep would say only that Aardman execs are looking at several different options.

Possibilities include slate financing from private equity money, a one-off deal with a studio for its next pic or a new multifilm deal.

Only project Aardman has in production is CBS claymation series "Creature Comforts." Eye net ordered seven episodes last year and hasn't yet skedded the show, though it was announced as a midseason replacement for 2006-07. It could still air in the spring or get pushed back to the summer or fall.

Skein could be another test of whether U.S. auds have cooled on Aardman's claymation style and quirky British humor, which stands in sharp contrast to the fast-paced, jokey CG toons of DreamWorks and most other American animation studios.

If it fails, U.S. studios may find it tough to justify picking up the next Aardman project, even though its work is widely lauded by critics and industryites.

"Chicken Run" grossed a solid $106.8 million in 2000, but 2005's "Wallace & Gromit" made only $56.1 million Stateside, while last fall's "Flushed Away," which cost well over $100 million to make, grossed only $63.4 million. ("Gromit" did better overseas, but "Flushed" was a worldwide disappointment.)

DreamWorks Animation had to take writedowns due to the weak performance of the two recent pics.

Likelihood that the companies would sever relations became clear in recent months. There was the "Flushed" flop -- and DreamWorks announced its slate through 2009 without any pics from its British partner. All its upcoming movies are in the hip, sarcastic vein of toon studio's franchises "Madagascar" and "Shrek," sequels of which are in the works.

"The business model of DreamWorks no longer suits Aardman and vice versa," Aardman spokesman Arthur Sheriff said. "But the split couldn't have been more amicable."

Companies had one pic in development, "Crood Awakening," which was announced at the 2005 Cannes Film Festival and penned by John Cleese. Rights to the project revert to DreamWorks, though it's unlikely to see the light of day.

Aardman was founded by Peter Lord and David Sproxton in 1976. They were later joined by Nick Park, who won Oscars for three of his animated shorts and the "Wallace & Gromit" feature.