Monday, February 01, 2010

Toy OTD: Disney Store Plastic Cars Toys: Mater, Red, Sarge, 'Chewall' Tractor, Chick Hicks, Lightning McQueen (2006 - 2008)

The movie Cars has proven to be a merchandising bonanza, spawning myriad lines of toys and other products. Like any other franchise, there's a range of quality within them - some items are excellent, some are fine, and others are functional but not much more. The primary line of Cars vehicles sold at the Disney Store are decent toys. They're mostly of a mid-range quality: in general the Mattel diecasts are far better, but this plastic, talking series is better than the smaller PVC cars, pullback items or plushes.

For one thing, they're fairly big - much bigger than any of the diecasts. If your kids need something larger to play with, this line is literally a better fit. The details aren't quite as lavish as those of the diecasts, but they're still good. Because of this, I'm assuming that these toys weren't cast from digital data but interpreted through traditional sculpting or other means (it's hard to know for certain). The construction is reasonably solid, but they do feel a little flimsy in places.

The biggest design detraction is the choice to make the pupils movable - they 'look' back and forth when pushed along a surface. In order to do this, the eyes are mounted on clear plastic stalks in front of an open 'windshield'. They're not all that intrusive on some of the cars, but on others it looks rather awkward and unattractive.

The other play feature included in the line is a motion-activated voice chip. This is a bit of a mixed blessing since they've got hair triggers, and chat away at the slightest movement. Other than that, the lines feel like dialogue from the film and have a decent feel for the characters' personalities (although it sounds to me like many of them were recorded by soundalikes).

The paint work here is minimal - the main body color is provided by the plastic itself. Most of the detailing is the cast plastic color as well, which in general I like as a cost-effective toy strategy. Colors tend to be a little more durable, and manufacturers don't have to be as precise about the few paint passes they do have.

The heaviest paint use is on the 'rusty' characters, and while the "Chewall" tractor looks significantly better than its diecast counterpart, Mater is only moderately successful - still looking more like paint than a rust texture.

Unfortunately, the other paint substitutes used here are decals - and they're another notable minus. They're particularly weak on heavily decorated characters like Wingo or Chick Hicks. I decided not to buy the Wingo from this series at all because I couldn't find one without stickers that weren't already bubbling up or tearing in the package. Chick's decals are better, but it doesn't look like it would take much play to badly damage them.

These toy cars by their very nature have no real posing capability or balance issues, so articulation and display stands are moot points here. Scale could be a display issue in the sense that collecting this line can eat up a sizable chunk of shelf estate. Fortunately, there's not nearly as many characters in this format as have been made in, say, the diecast line.

The packaging, on the other hand, is rather nice. The designers came up with a large clamshell, and turned it into an environment straight from the film! The branding is covered with the 'metal flake' base, and the toy itself rests on a short stretch of 'highway' backed with a rich panorama of Radiator Springs. The signs are built to create a 3D effect, and perform double duty describing play features. It's nice that there's so few stickers on the blister itself! On the other hand, it's a shame that they use so much plastic and take up so much space - but the shelf presence is pretty impressive considering the price point (originally $10-$15).

I imagine these toys are still available at the Disney Store, but since there's very few actual stores left, you'll probably need to get them online. You can get Doc Hudson and Sally on eBay for $23.74 + shipping, Lightning McQueen for $14.50 + shipping, Red for $27.63 + shipping, Luigi & Guido are packed together for $18.63 + shipping, Sarge is $12.93 + shipping, Fillmore is $17.63 + shipping, and Wingo goes for $14.50. There may be more toys in this line, but that's all I've been able to find. Compare prices, watch that shipping, and have fun!

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Sunday, January 31, 2010

Toy OTD: Nathan Jurevicius, Kid Robot's Scarygirl City Folk Figures: Crossing Guard, School Girl (2007)

Nathan Jurevicius is not only a cool illustrator, but a prolific toy designer as well! TheScarygirl City Folk collection probably isn't his latest line, but it's certainly one of his more recent ones. It's a blind boxed mini-fig series with a wide variety of characters. I only bought a couple of them, so I'll review just those two here.

Kid Robot's toys are of a consistently high quality, and this line is equally good. The sculpts capture the playful, graphically strong designs and interpret them into three dimensions very well! They're planned to be cast in multiple parts, and the assembly seams are strategically chose to blend into the design without disrupting it. The construction itself is fine, making the characters look solid. The use of materials is clever, such as the transparent plastic for the Crossing Guard's staff, and the mounting of the book stack on the School Girl's head.

The paint work is also nice and clean - there's not a ton of detail on these designs, but the color borders are sharp, small paint areas are tidy, and the broader paint areas are smooth. Details like the School Girl's eyelashes are crisp. The color palette is limited by design, not budget.

Mini-figures rarely (if ever) have articulation, so it's a non-issue here.

Balance for both designs is fine: School Girl has a back wheel to steady her; and the Crossing Guard has a broad, flat base. Mr. Jurevicius is very conscious of this aspect of manufacturing and addresses it well, regardless of the figure scale. Either small stands are included, or the designs are well balanced on their own.

Packaging for this line is terrific, both in terms of the individual boxes and the larger case. Both are heavily decorated with Mr. Jurevicius' graphics, but they're not overwhelming. The color use here is tasteful, but punchy enough to attract attention. All of the boxes are unified with a similar palette of black, pink, green and white - it's easy to keep track of this series!

There's fifteen different characters in the set, and at least two paint variants (a black-faced School Girl, and a black Jelly Cat). You can get blind boxes for $9.73 + shipping each at overkillshop.com, and a few of the characters are on eBay right now: The School Girl chase and both Jelly Cats for $19.99 + shipping each, and the Doctor for $29.99 + shipping. These prices seem a bit high, so you may want to be patient and poke around at the next Vinyl Toy Network or something. Good luck!

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Saturday, January 30, 2010

Toy OTD: DC Direct Kingdom Come Figure Series 2: Shazam (2004)

I remember Mark Waid's Kingdom Come being DC's answer to Marvels, ushering in an era of highly-polished 'event comics': sort of the comic-book equivalent of a summer 'tentpole' film. Since comic book characters have always been heavily merchandised, it wasn't much of a stretch to anticipate Kingdom Come action figures. DC Direct took on the challenge of making small versions of illustrator Alex Ross' re-imagined superheroes.

It's no small feat - Ross' style is quite detailed and realistic looking. While both this line and its companion series (the Justice action figures) produce mixed results, it's very impressive that any of these toys hit their target. This is a property that could only be done with the manufacturing technology and resources available today.

It may not be one of the best KC toys, but Shazam (aka Captain Marvel) is a nice one. As you probably already know, I'm primarily a purist - but I really like Waid/Ross' take on the character. A bit emotionally arrested, and there's an eerie djinn vibe about him now. He really is a being rooted in magic: he feels a lot less comforting, more unpredictable.

The sculpt is quite good - lots of subtle detail, but not too much. It evokes Ross' style nicely, right down to matching a pose from one of his paintings. The button-corner for the tunic may be a bit much, though, and the sculpt of the cape seems rather small and crumpled.

The paint work is pretty simple, as most of the figure is cast in the costume color. The overall effect is fine, but the facial detail struggles to support the sculpt and winds up looking a little like makeup. It might be as good as it can be, considering the sculpt and the scale. The only other problem is that the boots aren't painted (or cast) to match the metallic accents as they should.

The articulation is fairly basic - joints at the neck, lower biceps, wrists, hips and mid-calves. This preserves the look of the sculpt effectively, and isn't awkward to pose. The lack of knee and ankle joints aid balance and stability, but limit play value. I'm fine with this since I feel it's more of a display piece.

Balance is a mixed bag. The figure does come with an elegant display base, but it's huge. In fact, it seems far too big for any of the KC toys, and also suffers from the typical DC Direct display base problem. A few holes cast into the base can be used to hold a tiny peg. The peg fits into a hole on one of the figure's feet - the other foot doesn't have one. This usually results in the peg getting stuck in the foot, and/or the toy falling over. This base-mounting design has rarely worked for me, and unfortunately almost all of the DCD figures use it.

The packaging is well thought out and attractive. Simple black boxes with the graphic novel's logo on them - the additional text uses a similar font to maintain the look. Quite clean on the front, with great Alex Ross box lining art to create a crowd effect. The hang tag on the back allows the toys to be displayed on retail shelves, or hung on pegs.

You can still buy this figure for a decent price, but you'll have to shop carefully. eCrater has one for sale for $18.99 + shipping, but they can go as high as $89.95 + shipping at toyglobe.com. Be patient and have fun!

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Friday, January 29, 2010

Toy OTD: Anri Peanuts Music Box: Flying Ace Snoopy (1968)

Before there was Star Wars for me, there was Peanuts. I've been a huge fan of the strip for as long as I can remember, gobbling up the escapades of Charlie Brown, Linus, Lucy, Sally, Schroeder, and of course Snoopy.

Simply a cute puppy in the beginning, Snoopy came into his own in the late fifties/early sixties to become (arguably) the strip's most popular character. He transformed into a canine Walter Mitty; imagining himself as a vulture, a BMOC, a high-powered lawyer, and most famously a WWI flying ace.

I assume Schulz used his World War II experiences (or movies he grew up with) to inform Snoopy's adventures. They were purely imaginative in the comic, but occasionally visualized in the television specials. As they accumulated and grew ever more vivid, the fantasies began to inform the merchandising.

Anri began manufacturing many different Peanuts music boxes in the late sixties/early seventies, and naturally the flying ace was depicted in the series. One featured Snoopy flying on his doghouse, and this one (above) creates a more elaborate scene of him in a war-torn countryside. It's one of the most detailed environments of the line!

The Anri music boxes were crudely designed and constructed, but I still like them - there's an almost folk-art quality to the pieces. The simplicity does seem appropriate, even though they're far less sophisticated than the original artwork.

The elements seem to be made primarily from wood. What's interesting is they appear similar enough from one box to the next that they don't appear to be hand-carved. But how would you mass-produce something like this? Is some sort of wood pulp poured into a mold, like the '30s-era "Syroco" figures? Regardless, the shattered brick wall, the barbed wire, the helmet, the mushroom and Snoopy have a roughly-hewn charm.

The paint work is equally loose, feeling like rushed assembly-line work. Other than Snoopy's eyes, little of the paint on the box has much taste or care in its application. Most of the colors come across as overly layered and muddy. Still, it does contribute to the hand-crafted feel of the piece, which does have a certain warmth to it.

The song choice (It's a Long Way To Tipperary) is not only perfect for the era, but also because it was specifically featured in the strip. I can't remember if the box was wound with a side key or a rotating base, but it works fine and is well constructed. I'm assuming that a wooden base makes for a good resonator (which might make the mechanism sound better), but I'm not sure. Of course, it's worth mentioning that the base is nice and simple, with no unnecessary text or labeling on it.

Unfortunately, I don't have any packaging for this item (or any box photos that I can find online) to review.

These music boxes weren't made in huge numbers, and I imagine that many of them broke down over the years. As a result of that, and the strip's continuing popularity, these pieces can get quite pricey on the secondary market. This particular one ranges anywhere from $124.75 to $279.99 + shipping on eBay. Look the auction pictures/descriptions over carefully and make sure it's complete and in working order before you shell out the cash. Have fun!

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Thursday, January 28, 2010

Toy OTD: Wendy's Mighty Mouse - The New Adventures Premiums (1988)

Since I worked on Ralph Bakshi's The New Adventures of Mighty Mouse (and being my first job in animation), I was very excited about any merchandising tie-ins related with the show! Unfortunately, there wasn't a lot to be had (especially by today's standards), and most of it wasn't very good. The best of the lot - and the closest thing to action figures the show got - were the Wendy's kid's meal premiums.

I'm not sure I understand the play concept behind this line. Maybe the suction cups were simply intended to be bases - but it's not really used consistently, as you'll see. They're not exactly action figures, nor are they really window clings (like the enormously popular Garfield items were in the '80s), so the functionality of the toys is somewhat awkwardly conceived.

The character choices for the line make a lot of sense - since it was probably cooked up during the first season, all the toys are first season characters. Fortunately, they're all pretty prominent and popular. I wonder what Wendy's got to see from the show while creating the figures... partial episodes? Model sheets?

The sculpts are decent for a fast food premium. The characters are reasonably on-model, and some of the poses are asymmetrical. Unfortunately, the scale is all over the place: The Cow (the biggest character in the cartoon) is the smallest toy, and Scrappy's scale in the hierarchy is reversed, too. It's a shame, because individually the toys aren't too bad.

The paint work is pretty good, too - the colors are accurate and emphasize the sculpts' details well. The facial paint is reasonably clean and sharp. Mighty Mouse's eyelashes are fairly crisp, and bonus points for the highlight on Bat-Bat's sidekick, Tick.

There's no articulation at all, being the size the toys are, but at least the figures balance okay. I should say the standing figures balance well - which brings us to the bigger flaws.

All of the toys have a suction cup molded onto their feet, ostensibly to stick onto a surface like a dashboard or a window pane. The problem is that some of the figures are sculpted standing upright, while others are horizontal, in a flying pose. As a result, they don't display together well at all. Additionally, the suction cups don't stick very firmly, especially after prolonged use.

Like most fast-food premiums, the packaging is minimal and not all that compelling to look at. It's exactly what you'd expect - clear plastic bags decorated with some single-pass graphics. Inexpensive and practical, which makes sense for giveaways. Each toy did include a trading card of the character, which added a little more color.

Since these figures are over twenty years old, it may take a little while to get the whole set. You can get three of them (Bat-Bat, Pearl & Petey Pate still bagged) on eBay for $4.99 + shipping, and Mighty Mouse sells for $1.29 + shipping on eBid. At the moment, Scrappy isn't for sale online at all - odd, as I'd guess that he's the least popular of the characters. Good luck!

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Wednesday, January 27, 2010

Toy OTD: Mezco Cinema Of Fear Action Figure: Leatherface (2008)

And now for something completely different - a Leatherface action figure! I'm assuming this was manufactured as merchandising for the recent Chainsaw remake.

I'm sure you're wondering: why on earth did I buy this? Why do I own it? I'm not a particularly big horror film fan. I hadn't seen The Texas Chainsaw Massacre until a couple of years ago, and I didn't really like it all that much (it was pretty creepy, though). I'm not really a Tobe Hooper booster either - the only film of his that I really like is (no surprise) Poltergeist. So what's the deal?

I do have some other horror toys, most of them from Sideshow's original Universal Monsters action figure line. Ultimately if the craft of a toy is good enough, it'll override how I feel (or don't feel) about the source material. In this particular case, stylization is key.

It's not stylization in the sense of stripping away detail - this toy is tweaked in terms of proportion and structure. I like the squat, exaggerated look of this figure. It emphasizes the bulky creepiness of the character.

The sculpt is quite nice, having a great sense of texture. The hair could have been sculpted with more, but ultimately I think it works with the pushed look. There's nice touches, like the removable mask (even though I'm never going to take it off). The eyes peering through it create a nice eerie effect.

The paint work is strong, with plenty of 'blood', of course. The paint is great for helping bring out the detail of the sculpt, and there's an 'antiquing' sort of effect to help give a grubby, battered feeling to the character.

I'm also impressed with the cloth costume - it's a bit unusual for figures of this scale. Adding pants (which could easily have been sculpted) is a nice touch, separating the costume from the figure body without feeling too bulky. The 'stained' fabric adds still more to the overall look, giving more variety to the gore work on the toy.

The articulation is about average - I think there's about nine joints here. The arm joints aren't always naturally positioned, so they can look a little awkward when posed. Still, they do make it easier for the figure to hold the chainsaw - it facilitates the inevitable tweaking needed to make the prop fit into a pair of hands (and of course keeps the prop removable).

Since the joints are limited, and the figure is in a squat and well-planted pose, balance issues are very low. No display stand needed for this toy!

There's only a few accessories included, but that's plenty: a machete, a bucket of, well, human innards and the signature chainsaw. They allow for a decent amount of posing variety and are still large enough to keep track of. They're covered with 'blood' too in order to match the figure. Ugh!

The packaging is not all that interesting. It's the basic window-box set-up with a hangable back card, to open up display options for retailers. While all of the design choices make sense - the window border is cut into a ragged shape; the logo is quite close to the film's, there's a foliage strip at the bottom of the box, the graphics are appropriately blood-spattered and choppy - the overall effect is kind of bland. It seems that the designers deferred to the figure to generate the desired impact. That's fine, but it does come across as a bit of a missed opportunity.

This figure isn't terribly old or much in demand, so it isn't at all difficult to find. I bought mine about a year ago from Spencer Gifts for $30, but you can buy one at Amazon for $12.99 + shipping. Enjoy!

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Tuesday, January 26, 2010

Toy OTD: Konami Wacky Races Vehicles, Vols. 1 & 2 (2003)

Doubtless I've written this several times before - the Wacky Races cartoon is a big guilty pleasure of mine. The scripts are beyond thin, and the animation is uninspired at best. The highlights of the show - like much of Hanna-Barbera's output for me - are the voices and the design work. I love those cars!

There hasn't been a lot of WR merchandise over the years, and most of it isn't all that good. Even the best of these - a few model kits and cereal premiums - have somewhat limited appeal, aside from nostalgia value. So it's great to see some super-cool versions of the Racers coming out after all this time!

Konami released some fantastic toys about seven years ago (merchandising seems to be cyclical). The best part is that they made all of the vehicles - usually, manufacturers seem to focus on the Mean Machine, the Compact Pussycat, and the Turbo Terrific. There's a few downsides to this line, but for right now, let's focus on the good news...

These toys are pretty small - smaller than your average discast. But for this scale, they do have great sculpts and detailing. All of the contestants and their sidekicks have been included, too. They're hard to see here, but even the Ant Hill Mob is inside the Bulletproof Bomb! Nice.

The paintwork is also strong considering the scale. The colors might be a little brighter than they were on the show, but in general they're accurate and fun-looking. We're not just talking one or two passes, here, either - all (or almost all) of the colors needed were applied. Most of the drivers have some facial detail, and the printed numbers/logos are sharp.

Okay, now for the drawbacks. The biggest one is that the line was released in two 'volumes' of blind-boxed toys. This type of thing is never cheap, either as individual purchases or as pre-gathered sets on the secondary market. Of course each series had a super-rare 'chase' item too, which can be kind of fun if you're excited by 'the hunt'. Unfortunately, the chase for volume one was Dick Dastardly's Double Zero - arguably the most popular car on the show! Ugh. This piece would have been popular in any case, so to make it a chase just seems cruel.

I believe Vol. 2's chase was a small figurine of Muttley, Dastardly's snickering canine companion. Muttley was so popular, he was also in Dick Dastardly and his Flying Machines, featured in many other H-B shows like Laff-A-Lympics, and starred in a cartoon of his own! Understandably, the Muttley figurine wasn't to scale with the cars.

The other big drawback is that the cars aren't free-wheeling - the wheels are cast or glued in place on their axles. It does allow for the wheels to be accurately sculpted as ovals (right off the model sheets), but I think almost anyone would want their toy car to roll around. A real shame, but I do appreciate the extra mile for accuracy.

The packaging is a little busy-looking, but is otherwise as great as the line itself. Volumes One and Two had similar box designs, but were different enough that shoppers could at least tell which group of cars they were trying to collect! Both are decorated with spiffy model-sheet graphics backed with a fun gear pattern. The box backs feature the cars included in each 'volume', as well as the chase toys.

There's no balance issues with any of the vehicles, but each one was packed with a labeled display base. Without a dust cover, the bases seem a little extraneous to me, but again I appreciate the extra effort!

As I mentioned earlier, blind-boxed toys can be expensive to collect, especially on the secondary market. Buying a set of even one volume (much less both) looks unlikely at this point. There's some individual auctions on eBay right now that range from 99¢ - $70.00 + shipping (for the Double Zero). Some of the cars are for sale at ycosplay.com - they range from $9.95 - $29.95 + shipping. Happy hunting!

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Monday, January 25, 2010

Toy OTD: Presspop's Raymond Scott Figure (2008)

Presspop may not be as prolific as other toymakers, but their choices are delightfully idiosyncratic. Whether it's their Bob Moog figure, or their Kaufman brothers toy set, Presspop projects are always out of left field. And what a great field it is!

One of their more recent releases is a Raymond Scott box set, commemorating the electronic composer/pioneer's one-hundredth anniversary. Presspop's toys are always top drawer, and this one is just as true to the brand.

Archer Prewitt designed the Scott figure (like Moog and the Kaufmans before it), and it's an appealing likeness. There's a great retro quality to the sculpt that feels really appropriate for the subject. The paint work is simple, but it's all the toy needs - the hair, facial details and pant cuffs are nice and clean. The figure has a good center of gravity, so it balances just fine. Articulation is understandably low - three joints (at the neck and both shoulders), possibly four (I can't remember if the waist turns).

For some reason, though, Presspop didn't just stop with a great figure - the box is loaded with extras! First off, a miniature Clavivox is included with the Scott toy. The sculpt and paint work aren't quite as strong as they are on the figure, but it's still a great accessory. Another wonderful touch is the figure's fabric jacket - it's well-made, and further supports the old-fashioned-toy vibe. The set also includes a five-song CD, decorated with some snappy graphics and nested in a spiffy cardboard sleeve. Most purchasers will probably be Scott fans already, so Presspop wisely made sure that two of them had never been released before! Nice.

To top it all off? Prewitt also decorated the box, and it's gorgeous. Front and center is a limited-palette portrait of Scott at his keyboard, and the surrounding artwork is just as well thought out. What a set!

Even better news is that not only is the box set still available, but it's on sale! You can buy it for $49.99 + shipping at toystoreinc.com.

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Sunday, January 24, 2010

Toy OTD: Fisher-Price Muppet Puppet #852: Rowlf (1977)

I know a lot of Muppet fans aren't all that thrilled with Fisher-Price's '70s merchandise, but I have a fondness for it. I think their best offerings were the Animal (which I never had) and Rowlf (which I did) hand puppets. Maybe if I'd had one of the original Ideal Rowlf puppets, I'd feel differently!

Rowlf is a basic hand puppet done well. It's a good likeness - mainly due to the fabric used for the 'fur', and the accuracy of the face. It's designed a little more horizontally than the real character, but the eye/nose materials used still evoke him nicely.

The biggest difference between Fisher-Price's version and the actual puppet is that the operator's hand is inserted into the back of the toy's head; while the real puppet is manipulated from underneath. It's less accurate, but I like the fact that the toy has a full body. I do wish the belly had more volume, and that one (or both) of the arms could be operated. Still, I think it's nice that Rowlf could double as a plush in a pinch.

This toy doesn't have enough volume to sit up by itself. It's a shame, but considering it was primarily designed as a puppet first, it's not a big detraction from its play value.

The packaging is simple, appealing and on-theme for the character. Most of the box is decorated with backstage scenes from the Muppet Theater, complete with 'curtains' and 'footlights'. There's also some photos of play scenes with the puppet, ostensibly to pull in toy store shoppers. There must have been some confusion in the marketing surveys, as the toy also sports a tag making it clear that Rowlf is a hand puppet. It doesn't feel like an afterthought, though - the tag design is consistent with the box.

This toy isn't old enough to make finding one difficult, but there is one thing to keep in mind. This puppet was lined with sheets of foam to help give it some body without having to completely stuff the torso. As a result, twenty-three-year-old foam will probably be a crumbly mess. Be prepared to keep it as a display piece, do major re-lining work, or avoid it altogether. If you do decide to buy, there's three eBay auctions starting at $9.99 + shipping right now. Of course, if you want to be hard-core, there's one of the original Ideal Rowlf puppets on eBay for $500 + shipping. Hop to it!

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Saturday, January 23, 2010

Toy OTD: Rosko Toys Battery-Operated Charley Weaver Bartender (1962)

Older toys based on television personalities tend to look a little creepy. Cartoon characters (being simple to begin with) translated well into toy form, but '60s manufacturing technology just wasn't up to the task of capturing a pleasing, realistic likeness.

Most internet dwellers probably don't remember radio/theater/tv personality Cliff Arquette, aka Charley Weaver - if you're in your mid-forties, chances are you caught the tail end of his career quipping on the '70s version of the Hollywood Squares show. While drinking wasn't as central to his comedy as Foster Brooks or Dean Martin, it was certainly part of his persona. Enough, at least, to inspire this mechanical toy.

What this battery-operated figure lacks in polish, it makes up for in activity. Switch it on, and "Charley" mixes a drink, quaffs it, then scrunches his face (flushing red) as smoke comes out his ears! Mine works pretty well, even after all this time (though I'm not sure the red bulb still lights up). Silly but amusing!

The figure doesn't have a lot of volume, and the head is disproportionately huge in order to accommodate the mechanism. Rosko did make an effort to duplicate Charley's costume, right down to his battered hat (my toy is missing its tie, but is otherwise complete). The complexion of a brand-new model is much closer to its flesh and blood counterpart, as mine has soaked in its share of UV rays.

I'm also impressed with the tin litho bar counter. It's an element that the designer could have easily painted a solid color, leaving Charley to be the centerpiece. Instead, it's decorated with lively textures, 'bar stools', and a reference to Elsie Krack, the ugliest girl in Mount Idy.

The packaging is pretty cool looking, too. While the fonts may be somewhat lackluster, the box was designed to compensate for the toy's visual shortcomings - shoppers got a full-blown illustration of Mr. Weaver behind the bar. It looks more like a model kit box than one for a battery-powered toy!

This isn't a particularly rare toy, but getting one in good shape (and in working order) can be pricey. They seem to range between $125.00 (not working and missing his shaker top) to $350 + shipping (complete and working). There's cheaper examples for sale, so be patient and read the item descriptions carefully. Have fun!

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Friday, January 22, 2010

Toy OTD: Colgate Soaky Toys: The Chipmunks - Alvin, Simon, Theodore (1964)

I'd like to hope that most viewers of the latest Alvin & The Chipmunks movie know that it's based on a series of hit novelty records (and a popular animated cartoon) from the sixties. Being a successful pop culture property, the Chipmunks naturally spawned a slew of merchandise and product endorsements.

A popular item at the time was a "Soaky" - a bath soap bottle shaped like a cartoon character. The idea was that children could play with the bottle while bathing, and keep it well after the soap was all used up. It's a simple but effective idea... the brand itself is long gone, but the concept has lasted forty years past the original toy! Naturally, Alvin and the gang were perfect candidates for "Soaky" immortality.



A big part of the "Soaky Secret" is that they're very cheap to make - some plastic, a couple of paint passes, and a touch of cardboard for packaging. Still, there was some thought (and taste) put into designing them.

The sculpts - taking into consideration that all of them needed to conform to the same basic bottle - are quite good. The head pieces (which cover the actual screw-on bottle cap) are pretty appealing interpretations of the very 2-D designs. Like many of the other Soakys, extra props are sometimes added in when the source character is too short to fit the bottle shape. Here, you can see the sculptor(s) added a stack of books for Alvin and a small pedestal for Theodore to help preserve the idea that the Chipmunks are different heights. The props themselves seem a little arbitrary, but they get points for preserving the designs. In light of this, it's a little odd that letters were added to Simon and Theodore's sweaters, since they're not on the source artwork. At least it's duplicating an existing motif rather than adding something that isn't part of any of their costumes - and it unifies the group, too.

As these bottles are intended for tub play (not to mention cost factors), the paint work is pretty minimal - just two passes per character. The manufacturers and designers wisely used the bottle plastic to add a third color to their palette. Casting the head in a different color of plastic sometimes added a fourth, as you can see with Alvin. While there are some less than intuitive paint choices - Simon's glasses and face detail could have been black like Alvin's, and Theodore's sweater is left white rather than painting it a more accurate blue - overall the colors are sharp and appealing.

(It also appears that the paint and plastic colors varied depending on what the manufacturers had on hand - check out John K.'s variants here. Alvin even had a bottle-cap-style cap at one point!)

Since Soakys have to stand upright by definition, there aren't any balance issues here. Because they're containers first and toys second, articulation is a moot point too. Think of them as being closer to a rubber squeak toy than an action figure.

Soaky packaging is also pretty minimal - a simple cardboard box covering the base. This took care of branding without having to add much to the toy itself. Interestingly, the designers didn't brand the characters themselves, as is done so often today. The boxes could also be changed easily, depending on what function/decoration they might need to do, as in the case of this Santa Claus Soaky. It's got a built-in gift tag!

Soakys were very popular and made in huge quantities. As with many other collectibles, some characters are rarer (and more expensive to buy) than others. Fortunately, the Chipmunk gang isn't particularly rare. Alvin can range anywhere from $6.99 to $34.99 + shipping. Simon costs anywhere between $20 and $36 + shipping. Theodore's range hovers right around $24 - $25 + shipping. Feel free to be picky, as there's plenty of them for sale out there. Happy hunting!

Chipmunk Fun Facts: Did you know that Alvin, Simon and Theodore were named after Liberty Records (their first label) executives? Did you also know that they started out as puppets on the Ed Sullivan Show? I didn't!

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Thursday, January 21, 2010

Toy OTD: Marx Porky Pig Tin Wind-Up (1938)

I love old tin toys, and a tin toy of a classic cartoon character is just icing on the cake! Marx was one of the tin toy kings back in the day, and this wind-up is just one of the many great examples of their craft.

Porky here is similar to many wind-ups Marx produced - a simple mechanism enables it to waddle across the floor, while also producing a secondary motion. In this case, Porky twirls an umbrella as he strolls.

It's a decent likeness, as far as being on-model goes. The technology of the day limited the amount of 'sculpting' possible with the tin form, but it's still a reasonably complex shape. The character is buttressed by the lithographed artwork, which helps preserve the cartoon-drawing feel. There's some awkwardness with Porky's left arm, but otherwise the overall look is quite appealing. Happily, any necessary indicia is printed on the back - it keeps the front looking simple and clean!

There's no balance issues to deal with, as the toy's design (like almost all older toys) is solid and well-proportioned.

This toy also has a few interesting variations. A different version has Porky holding the umbrella and a top hat (on a separate arm), and another with completely different artwork - Porky as a cowboy, twirling a lariat! The top hat/umbrella version may have been the original design, as the addition of the left arm on the umbrella-only litho art looks very much like an afterthought.

The packaging is very attractive - it's a great range of colors, considering the limitations of the period. The artwork is a sweet (though a little awkward) scene. The branding is almost overpowering, but it's firmly separated from the rest of the art. There's even a hint toward one of the variants in the background! A great sense of style presented in a straightforward manner.

It's a lot easier to find a Marx Porky than to buy one. Due to its age and Porky's popularity, expect to pay around $150.00 (minimum) for this piece. Its value will vary depending on whether the box is included or not, and the toy's condition. Here's one selling through Bonanzle for $139.99 + shipping. Cowpuncher Porky is for sale here for $122.00 + shipping. Snap 'em up!

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